#Mastodonte asier etxeandia free

In sextet (four of them were reinforced by a keyboardist and another guitarist), with a lot of light on stage that they could have used better and with a great sound, Morat at their start assimilated the Mumford & Sons (‘Love with ice’), they billed country filmed between Los Rodríguez and Los Secretos (‘There is no more to talk’) and in the sixth they approached soul with flashlights (‘First times’, in whose presentation one of the Moratians rightly preached: «monotony is not necessarily bad when you live it with the right person ”). The concert started well and ended up pressing again, but along the long equator they slowed down their dynamism, fell into the commercial and ballad syrup (“they are getting a bit bows, right?”, Observed Azpiazu), and the roles were distributed as in a ‘boy band’ in which each one releases a little speech to the audience. They had time to play 21 songs in 103 minutes during which they asked the two thousand-year-old masses to clap their hands (perhaps there were 2,222 kids: at the end of the show many parents were waiting for them), where they sang their favorite songs at the top of their lungs until they covered the Colombians as if they were the Beatles before the fans, and where there were massive choral wiggling and lighting of lanterns. El actor Asier Etxeandia (Bilbao, 1975) se ha subido este viernes al escenario del teatro Gayarre con su Transfiguración del Mastodonte, una experiencia diferente y única que ha enloquecido a los asistentes durante más de dos horas con una dosis perfecta de música e interpretación. , which will continue to be released in US cities. Later, at 9 o’clock, the kids behaved quite well in Miribilla and barely gave work to the security guards of the Morat concert, an important group that closed the long Spanish leg of the tour of their album ‘Where are we going?’ In Bilbao. Juan Pablo Isaza, the one with the Morat hat.

Seeing Maika we identify with the fans of Camela and La Niña Pastori, who could not suppress their desire to move and get up during their concerts in Miribilla. ASIER ETXEANDIA y ENRICO BARBARO lanzan su primer proyecto musical: MASTODONTE &quo see more.

#Mastodonte asier etxeandia free

Hum, there were quite a few pieces that provoked instinctual reactions to which the 120 people sitting in the room could not give free rein, that is, this seated concert does not restrict too much to certain such energetic proposals. All played well, with punch but the constant change of instruments, intoned with falsettos and theatricality by the leader, in these songs we experienced eruptions, explosions, mechanical developments that resonated the same with PJ Harvey and The Birthday Party as with Jon Spencer and Jim Jones, very Velvetian narcotic relapses, progressive displays now via Genesis now as Queen now according to the Zappa school, a rather hippie country soul oasis (‘Places where we used to sit’) or a very Elton John rock and roll. The 19 songs could be grouped into two major ensembles, those with a seventies sound, between glam and progressive, and the nineties with noisy or noise traits.